Last week we explored the Fujifilm X-Pro3, and it left more than a few potential users confused, with its super-classic profile combined with excellent specifications and a price that even surpasses that of its sister X-T3. So… how about a more "normal" camera? The answer leads us to the Fujifilm X-A7, the direct successor to the X-A5, which, while still qualifying as a mirrorless entry, has some technical elements that make it very interesting.
Price-performance. Most beginner photographers follow that rule strictly, and generally get very good results, but it all depends on the decisions each manufacturer makes. Sometimes, the cutbacks are too deep and the final result lands a step below what was expected.
From a certain point of view, that is what happened with the Fujifilm X-A5. That mirrorless entry delivers excellent quality images, but with 4K at 15 frames per second, the entire video phase was anemic. Fortunately, its creator decided to pick up the gauntlet and respond to current demands through the Fujifilm X-A7.
Fujifilm X-A7: A Camera on the Edge of the Entry Level
Initially announced in September 2019, the Fujifilm X-A7 features an APS-C CMOS sensor with 24.2 effective megapixels and a primary color filter. Its ISO sensitivity ranges from 200 to 12,800, with a Boost in both directions of 100–51,200, while the shutter speed oscillates between 1/4,000 and 30 seconds, or 1/32,000 with the electronic system. Its LCD screen is touch-sensitive and articulated, with a 3.2-inch size in 16:9 aspect ratio and 2.76 million dots of definition. All shots must be made through it, since the camera does not have a built-in viewfinder (unless you explore the possibility of installing one as an accessory).
The autofocus system on the Fujifilm X-A7 takes some ideas from its older sisters and gives us a total of 117 zones based on a hybrid phase-detection and contrast-detection configuration divisible into 425 points. This represents a substantial improvement compared to the X-A5 (which offers 91 points and also suffered some "firmware pains" along the way), and although it is not the fastest implementation, all basic detection parameters (face and eyes) work very well as soon as we take the camera out of the box.
Logically, we shouldn't expect a crazy burst either. In fact, Fujifilm decided to keep the same values as the X-A5, with a maximum continuous 6 FPS, or 3 FPS in Slow mode. If the plan is to capture sports or extreme action, you'd better broaden your horizons a bit, but in a mirrorless entry like the Fujifilm X-A7, that burst is more than reasonable. This means the camera knows its priorities and what it had to improve relative to its predecessor, without destroying the user's budget.
When analyzing the interface of the Fujifilm X-A7 we find no major surprises, and I must admit that's fine by me. The retro-classic look of the camera remains intact, with three dials on top, simple lines throughout the body (beyond its plastic construction), and a slightly optimized grip, but some colleagues noted it could be insufficient in very long sessions. Perhaps the most relevant change is the reduced number of controls on the back. While the X-A5 has nine buttons, the X-A7 only has four, plus a new joystick (whose placement isn't the best in the world). Fujifilm compensates for this with the introduction of a brand-new Smart Menu, which does a solid job of showing previews of "film simulations".
The mode dial retains its previous configuration of twelve entries: Full Auto (SR Auto), Programmed Auto "P", Shutter Priority "S", Aperture Priority "A", Manual "M", Panorama, Advanced Filter "Adv.", Special Scenes "SP", and four scenes with direct shortcuts (Face Smoothing, Landscape, Sports, Night). Any additional detail you need, you'll find it in the manual. It's just over 250 pages, but I couldn't locate a Spanish edition.
If you're a video enthusiast, you'll be glad to know that the Fujifilm X-A7 extends its support to 4Kp30, with a maximum recording time of 15 minutes. Being honest, the X-A5's 15 FPS are disappointing, and Fujifilm didn't hesitate to improve that specification. If you want to extend recording time, 1080p60 mode takes it to half an hour, but it's a restriction you'll likely work around with a bit of editing. Fujifilm recommends using a fast card for 4K recording, and the body lacks image stabilization—two very important details to keep in mind.
Accessories for the Fujifilm X-A7
With a price of 750 euros in a 15-45 kit, the Fujifilm X-A7 doesn't carry an excessive premium. In fact, I'd venture to say it's the ideal choice for those looking for a "first mirrorless" that's new and uncompromising on specs. At the same time, the Fujifilm accessory ecosystem is very healthy, full of alternative options that always help your wallet. Want to know a few?
Batteries and Power
Charging via USB makes things easier, and with 440 shots in economy mode, the power parameters on the Fujifilm X-A7 aren't terrible; however, there's room for optimization. A compatible Gloxy NP-W126 battery is a great step in the right direction, since it matches the performance of the original module and can be yours for just 15 euros. How do we charge it outside the camera? With a Gloxy 2-in-1 hybrid charger for home and car. Power wherever you go, for less than 25 euros. (Product code: "0712006549,VDTS-4604-CH-VDTS-4242")
Tripods and Supports
Despite having a larger screen, this mirrorless manages to be lighter than its predecessors, but the lack of stabilization forces us not to neglect the search for a tripod for the Fujifilm X-A7. Today we suggest two options as classic as the camera's appearance. On one hand, the Gloxy GX-T6662A is certainly overkill for the X-A7 with its maximum load of 10 kilograms, but in return you'll get all the firmness you need and much more. And on the other, the Clampod Takeway T2 stands out as a compact, ultraportable solution more aligned with the camera's format.
Bags and Backpacks
Fujifilm expects you to take the X-A7 everywhere, but without official cases in the box or protection against the elements, it would be a serious mistake not to consider transport and storage factors. The two models I mention here are very similar, both in price and popularity. The Genesis Gear Orion bag has gained a lot of ground thanks to its modifiable interior, extra space for tablets, and a general design that doesn't draw too much attention, but most importantly, it never lost its way when it comes to cost. The same goes for the Vanguard Discover 22, which is a bit larger (can hold two lenses) and has a rain-resistant exterior. Choose whichever you like most, and you won't go wrong.
Memory Cards
All we'll do here is follow Fujifilm's recommendation step by step. The X-A7 needs a fast card, and our preferred option remains the SanDisk Extreme Pro of 128 gigabytes. V30 certification, 170 megabytes per second read and 90 megabytes per second write make it suitable for 4K from the very first moment, and for less than 55 euros, it defies any analysis.
Special Kits
Our last section is dedicated to two kits that will help you keep the Fujifilm X-A7 in top condition, and why not, earn some extra bucks. The Gloxy 6-in-1 cleaning kit is one of the best on the market and includes all relevant accessories, from cloths and cleaning liquid to brushes and a blower that displaces particles. The other kit is a portable mini studio of 40 x 40 x 40 centimeters, equipped with lights, colored backgrounds, and a small tripod. If you decide to explore product photography, it will be a great ally.
And so we reach the end. With formidable image quality, an optimized autofocus, the inclusion of 4Kp30 support, and a price that doesn't seem ridiculous, the Fujifilm X-A7 quickly positions itself as one of the best entry cameras available today. Fujifilm confirmed that a firmware update is on the way, so you don't have to worry about support, and it's likely that throughout the year its price-performance ratio will become even more attractive. Keep an eye on it. Good luck!
